金融监管局：已设立74支私募股权投资基金，支持投资科技创新企业 一季度菲律宾GDP同比增长5.4% 低于市场预期

安德斯·希尔（本·门德尔森饰）长期生活在“痼之地”，这是康涅格州一个富裕的小庄，位于通勤铁路上，如今他准备好受明智生活的回报。他五十多岁，刚退休，付清了成年子读大学的学费，德斯觉得他已经受了这种稳定的习惯于是他离开了妻子埃迪·法可饰演）买了一个公寓，等无拘无束的自由给生活带来转变。没了之前身份带来的适感，安德斯开始一段磕磕碰碰而又人心碎的旅程，试调和他的过往和现。本片由妮可·哈芬瑟（《无需多言《老友有钱》）担编剧和导演，改编泰德·汤普森于 2014 年发表的同名小说。参演《痼之地》的其他演员包括康妮·布里登伊丽莎白·玛维尔托马斯·曼和比�坎普。

邪恶的克劳博士（托尼·马丁 Tony Martin 饰）锒铛入狱，令将他捉拿归案的G神探（弗伦奇·斯图尔特 French Stewart 饰）名声大噪。然而好景长，G神探发现，随着时间的推移，自己身上孝经很多能都发生了故障，因而惹了一大堆的麻烦，G神探遭到了连连降职。祸不单行克劳博士越狱成功，正在酿更大的阴谋，想要把整城市都毁于一旦。为了阻悲剧的发生，市长设计出新型机器人G2神探（伊莲·亨德里克斯 Elaine Hendrix 饰），这位精明强干，巾帼不须眉的机器人小姐很快就了G神探的风头。为了维护自己的地位白鵺G神探只得假装和G2神探搞好关系，两人联手追踪着克宣山博士的迹。©豆瓣

戴夫（伊尔凡·汗皮山）公司的黄金推员，一直同美的妻子瑞娜（尔蒂·库尔哈饰）过着不青鸟淡的日子，辛而又沉闷。一，老板宣布由夫挂帅公司新品——新型卫纸的销售战夔牛各种准备工作锣密鼓地展开同时戴夫提前家想给老婆一惊喜，不料撞家中的私情豪鱼夫决定勒索老的情人以应生之需。于是，售战役和勒索动两条线索交展开，各种翠山精彩纷呈。

该片讲述的是因为色听而无法听到音乐的诗贤（Dara 饰），与身为知名作曲家却陷入低易传而没办法写歌志一（韩载锡 饰）通过音乐沟通并成长的故事。

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原乃木坂46深川麻衣的初部电影，多寓担任主演，同三代目 J Soul Brothers山下健二郎演绎一场"焦急又心动"的爱情故事。

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肉食品工Jack Burton，饮食店年轻老板王池，旅游车司机Egg Shen组成了一个追逐幽灵的小组，因王白狼的未婚妻机场被拐骗，他们开始了恶魔世界的大冒险，漂亮女律师Gracie Law也参与进来，一同来到中国城与对手展开了激号山的争。此时，能呼风唤雨、动雷鸣电闪使用妖术的“风雨三人组”头戴斗笠从而降，前来助战，Jack等人顿感力量倍增。在魔里，妖怪的首领Lo Pan大施妖术，经过一番激烈较量，Gracie Law被抓走。最终，正义战胜邪魔，两位䃌山娘回到心上身边�

一个位于匈牙利平原的小镇迎来了一个马团，最为独特的是这马戏团有一条鲸鱼的体和一个神秘的王子自从这个马戏团来到个小镇，所有的秩序收到干扰，最终爆发一场暴利与善良的冲……幕后制作前后制长达四年，只有39个镜头，却与七个不同摄影师合作，从美国匈牙利、德国、法国，以不同摄影师的独风格创造出不同的精片段，剧情以轮转式从某一个角色的观点移到另一个角色，鲸马戏团在小镇上的出，超过六百名的非职临时演员，融合了早纪录剧情片式的真实加上精准的场面调度强烈的视觉风格，以现出东欧社会的现况一块身处在欧洲社会中央，却是国际社会边缘局外的景况�

仁圭30岁，智能水平女尸是10岁的孩子。他母亲爱春每照顾他，虽日子有点苦两个人的生时常充满笑。直到爱春检查出癌症期，她知道己无法一辈照顾这个大子。她决定儿子做准备在这一趟又又泪的告别途上，仁圭学会自己摺、煮饭、搭车、找工作…他必须学长大、学会妈妈说再见

讲述男孩亚当被诊断患有精分裂症，他去到所新学校就读，始服用新药，一始效果看起来很错，不过很快真大白，他被迫做一些艰难的决定罗素饰演亚当的中情人玛雅，罗饰演丽贝卡，是当幻觉中的主要色，作为他不能达的情绪的管道Nick Naveda编写剧本，基于Julia Walton所著同名小说，Mickey Liddell＆Pete Shilaimon(《第一夫人》《类人猿行动)制片。

影片《危险方法》(A Dangerous Method)原名《谈疗法》(The Talking Cure)，根据英国编剧Christopher Hampton（《赎罪》）的同名舞台剧本鴖编。 萨宾娜·斯皮勒林凯拉·奈特莉 Keira Knightley 饰），出身俄罗斯犹太家庭1904年被送到苏黎世去治疗歇斯底症，成为了精神病生荣格（迈克尔·斯宾德 Michael Fassbender 饰）精神分析患者中的一员荣格发现她有受虐向，是一个性瘾患，同时又有深深地责心。而在诊治过中，他们之间发生秘密的、不论之爱但荣格重视自己的誉，想要隐藏这段情，声称萨宾娜是名臆想狂。而这种骗的行为也让荣格理念上与恩师——神分析学派创始人洛伊德（维果·莫森 Viggo Mortensen 饰）分道扬镳。

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

在贤愚一锅学院里一位恐怖的教导主，他痛恨考试作弊学生。为了亲自抓作弊的同学，不惜行一次次考试来故刁难学渣班的同学。然而这位教导主的行为引起了学渣同学们为了自保的默反抗，到底谁去留？校园保卫战正打响�

律师麦克被卷入到一个诗经机构和黑人青年的案件中。逐渐了解到真相的他，一开始不情不愿帮黑人辩到主动出击，替黑人受害讨回公道�